Many of us have heard about the benefits of meditation, but sometimes find it hard to do. Fewer of us know about the profound benefits of artistic expression. Creating art, however, is another way to access a meditative state of mind and the profound healing it brings. Maia Gambis, "Why making art is the new meditation," The Washington Post, August 25, 2015
|Nancy Bell Scott|
Last year I discovered asemic writing in art, though Sam Roxas-Chua's Echolalia in Script: A Collection of Asemic Writing and the work of Nancy Bell Scott.
I'd also been following Jane Davies' Facebook page and, when she offered a downloadable workshop called "Text and Image," happily bought it. Some of my consequent text and image pieces included both asemic writing and lines from my own poetry. and I was charmed by the playfulness of this work, still thinking of these efforts as learning a process.
|Mary Bast: "A Course of Action"|
|Mary Bast: "Frankenthrall"|
I learned a lot about this artist, but more important, a new mode of expression had popped up from out of the blue, calling me to a completely centered creative space .
There was no plan, no thought, no judgment, simply free association, playfulness, and joy.
This also drew me to the realization that I knew little about women in abstract expressionism, and quickly discovered I was not the only one. So for many months I've been studying the works of historically underappreciated artists and creating collages as tributes to their work (click here to view collages.).
When I have a pile of shapes, I put on disposable gloves, get down on the floor with a canvas, a big jug of M. Graham Acrylic Gloss Medium and Varnish, a brush, and just let things happen. Once the canvas is covered, and I feel the rightness of colors/shapes, I let it dry, then draw lines, circles, outline with a fine point Sharpie pen. New eyes. . . pure expression:
Contemplative beholding of art - indeed of anything - can lead to the animation of whatever is before us. New eyes, "the right eyes," suddenly open, waking us up, and consequently awakening everything around us. Arthur Zajonc, "Meditation and Art," Psychology Today, January 05, 2011.
A meditative approach [to art] advocates that we would be best served if we focused less on the "self" and more on the expressive part of the creative process. Such an approach is called pure expression rather than self-expression, because one has learned through meditation how to let go of the relentless self-referencing, self-dialoging, self-consciousness, self-criticism. "Art, Meditation, and the Creative Process," Shambhala Times, March 1, 2015.